Ahmad Mallah & Rebecca Lillich // Krüger are an Amsterdam based performance duo intersecting the personal and political, performing open symbols to generate reflection, introspection and connection. Their debut works The Ladder (2023) and The Price of Bricks (2024) utilize singular objects through multiple mediums as action-based performance art happenings. Their new works, pulling blood from stone (2025) and work in progress Yalla Tnam (2025-), dive into surrealism and hypernormativity through song, gesture and costume as an evolution of their process. The duo has performed at Oerol Festival (Terschelling NL,) Stedelijk Museum (Amsterdam NL,) Sismográf Festival (Olot, ES), and Van Gogh Museum (Amsterdam NL) to name a selection and has just presented their first full length exhibition after a residency with Nieuwe Vide (Haarlem NL.) Yalla Tnam is a song based performance ritual on a table; as one figure sings, the other responds through actions that refer to lost arts. We bind our body in gips verband (plaster bandages) in a sort of ineffective healing.